monir shahroudy farmanfarmaian art

Her oeuvre included multi-disciplines: drawing, painting, monotypes, textiles, collage, and large-scale sculptures. Other recent biennials include the Bruges Triennial 2018, Belgium; the 11th Gwangju Biennale, South Korea (2016); the 2015 Vienna Biennale, Austria; Prospect.3 New Orleans, LA (2014); Sharjah Biennial 11: Re:emerge, Towards a New Cultural Cartography, Sharjah Art Foundation, United Arab Emirates (2013); and the 29th Bienal de São Paulo, Brazil (2010). Free Wi-Fi available, Compliments & Complaints Third Family Hexagon, 2011 Monir Shahroudy Farmanfarmaian's mirror mosaic draws on an Iranian decorative technique known as aineh-kari, which uses pieces of broken mirror and dates back to the sixteenth century. Installation view of Monir Shahroudy Farmanfarmaian: Infinite Possibility. Khordad - Convertible Series, 2011 (JCG11738), Stainless steel, wooden base, and motor MONIR SHAHROUDY FARMANFARMAIAN 151 x 151 cm Iranian artist Monir Shahroudy Farmanfarmaian, better known simply as Monir, has long believed in the transcendental possibilities of mirrors. Reverse painted glass, mirrored glass, and plaster Edition 2 of 2 (JCG11735), MONIR SHAHROUDY FARMANFARMAIAN In 1957, she returned to Iran, embarking on intensive research into regional artistic and architectural tradition. 115 x 121 cm (JCG11729), MONIR SHAHROUDY FARMANFARMAIAN 127 x 133 cm Stanley Place, Cultural Precinct (JCG11727), MONIR SHAHROUDY FARMANFARMAIAN TEL 212.714.9500   45 1/4 x 47 5/8 in 24 1/8 x 17 7/8 in 9 7/8 x 12 3/4 in Iranian artist Monir Shahroudy Farmanfarmaian, who achieved renown late in life for her dazzling mirrored mosaic works and glass paintings, has died at age 97. The gallery will present a two-part solo exhibition of Monir’s work in January 2021. 48 WALKER ST (JCG11752), Image courtesy of the artist, Haines Gallery, and James Cohan, New York, MONIR SHAHROUDY FARMANFARMAIAN Pentagon Maze, 2014 Certain drawings or studies correspond to eventual three-dimensional, sculptural applications of their forms, while others employ rhythmic patterning and calligraphic mark-making to create dimensional effects within the picture plane. Monir Shahroudy Farmanfarmaian, whose lucent works ally modernist abstraction with Islamic ornament, has died at age ninety-seven. How does this artwork make you feel?Take a photo and let us know #goma10farmanfarmaian @qagoma. Monir Shahroudy Farmanfarmaian (Persian: منیر شاهرودی فرمانفرمائیان ‎; 16 December 1922 – 20 April 2019) was an Iranian artist and a collector of traditional folk art. Untitled, 1976 We will use your information to send email updates including newsletters, special offers and more. 110 x 121 cm 91 x 91 cm Privacy With a career spanning more than six decades, Farmanfarmaian is one of the most prominent contemporary Iranian artists working today. (JCG11725), MONIR SHAHROUDY FARMANFARMAIAN Monir Shahroudy Farmanfarmaian's mirror mosaic draws on an Iranian decorative technique known as aineh-kari, which uses pieces of broken mirror and dates back to the sixteenth century. Six panels: 300 x 200 x 25cm (each); 300 x 1200 x 25cm (overall), Installation view: Queensland Art Gallery, Courtesy of the artist, Third Line Gallery, Dubai, and James Cohan, New York, Collection of Tate Modern, London, United Kingdom, Mirror, oil painting behind glass and Plexiglas, Mirror, oil painting behind glass, plaster on wood, MONIR SHAHROUDY FARMANFARMAIAN Third Family Triangle, 2011 Monir Shahroudy Farmanfarmaian: Sunset,Sunrise Irish Museum of Modern Art, Dublin, 10 August – 25 November 2018 . 50 x 65 cm Reverse painted glass, mirrored glass, and plaster 122 x 122 cm Queensland 4101, Australia Mirror work on plaster ball 22,5 x 23 x 23 cm. During this period characterized by distance, the artist's ongoing drawing practice played an increasingly critical role in reinforcing a vital sense of continuity and connection to her homeland. Mirror and reverse-glass painting on plaster and wood 50 x 52 3/8 in Her forthcoming solo exhibition at the High Museum of Art in Atlanta, GA will open in 2022. During this time she was introduced to Āina-kāri, the 16th-century Safavid practice of cutting mirrors into small pieces and arranging them into decorative shapes over plaster. Recent solo exhibitions include Sunset Sunrise, Irish Museum of Modern Art, Dublin, Ireland (2018), which travelled to Sharjah Art Foundation, United Arab Emirates (2019); Mirror Variations: The Art of Monir Shahroudy Farmanfarmaian, Grand Rapids Art Museum, MI (2018); Lineages, Savannah College of Art and Design Museum of Art, Savannah, GA (2017); Monir Shahroudy Farmanfarmaian: Infinite Possibility. 46 1/8 x 46 1/8 in Third Family Octagon, 2011 Policies & Right to Information Sharjah Art Foundation, in collaboration with IMMA, presents Sunset, Sunrise, a retrospective exhibition of works by the late artist Monir Shahroudy Farmanfarmaian. As curator Suzanne Cotter describes, each of Monir’s new sculptures “carries a history of the sculptures and drawings that have preceded it. Mirror and reverse glass painting on plaster and wood 120 x 120 cm The Islamic Revolution in 1979 marked the beginning of Monir’s 26-year exile in New York. 117 x 117 cm Untitled Maze, 2015 Layering these contemporary ideas with an Islamic integration of mathematics with bodily presence and spirituality, her work reconnected abstraction with its theological roots to invite sublime perceptual experience grounded in the body of the viewer. (JCG11732), MONIR SHAHROUDY FARMANFARMAIAN Her work is held in the permanent collections of major institutions worldwide, including the Alfond Collection of Contemporary Art, Cornell Fine Arts Museum, Rollins College, Winter Park, FL; The Andy Warhol Museum, Pittsburgh, PA; the Barry Art Museum, Norfolk, VA; Grand Rapids Museum of Art, Grand Rapids, MI; Guggenheim Museum, Abu Dhabi, United Arab Emirates; High Museum of Art, Atlanta, GA; Hirshhorn Museum and Sculpture Garden, Washington, DC; Louis Vuitton Foundation, Paris, France; M+ Museum, Hong Kong; McNay Art Museum, San Antonio, TX; Metropolitan Museum of Art, New York, NY; Monir Museum, Negarestan Museum Park Gardens, Tehran, Iran; Museum of Contemporary Art, Tokyo, Japan; Museum of Contemporary Art, Chicago, IL; Museum of Fine Arts, Boston, MA; Museum of Fine Arts, Houston, TX; Museum of Modern Art, Tehran, Iran; Niavaran Cultural Center, Tehran, Iran; Queensland Gallery of Contemporary Art, Queensland, Australia; Sharjah Art Foundation, Sharjah, United Arab Emirates; Solomon R. Guggenheim Museum, New York, NY; Tate Modern, London, United Kingdom; Tehran Museum of Contemporary Art, Tehran, Iran; Toledo Art Museum, Toledo, OH; Victoria and Albert Museum, London, United Kingdom. (JCG11724), MONIR SHAHROUDY FARMANFARMAIAN 116 x 119 cm JAMES COHAN 18 7/8 x 31 7/8 in 48 x 81 cm Reverse painted glass, mirrored glass, and plaster Reverse painted glass, mirrored glass, and plaster With each new beginning comes a new progression whose formal expression of spatial unfolding and unity, while clearly acknowledging Sufi thought, might also be understood metaphorically as an existential portrait of the artist and her trajectory—to begin, advance boldly, and begin again.”. Her methodologies often invoke concepts central to Minimalism—such as seriality, modularity, and diagrammatic organization—manifesting in bodies of sculpture grouped into series she called “families,” suggesting an affinity of structure, for example, or which are “convertible,” consisting of elements that can be arranged into a number of different formations. Monir Farmanfarmaian, Birds of Paradise, 2008 The most poignant piece in the show is by Monir Shahroudy Farmanfarmaian, who is 88 years old and lives in Iran. (JCG11730), MONIR SHAHROUDY FARMANFARMAIAN Third Family Nonagon, 2011 The six sides of the hexagon, which provide the underlying structure, are expanded and elaborately rendered. 42 1/8 x 47 5/8 in E: gallery@qagoma.qld.gov.au 44 1/8 x 44 1/8 in It was this event that provided a crucial turning point in Farmanfarmaian’s artistic journey. Inspired by its architecture, the traditions of Islamic geometry and pattern, and by techniques such as reverse glass painting, mirror mosaic and relief sculpture, Farmanfarmaian has revived and adapted these forms to create startlingly original works. Muqarnas One, 2012 The queen of dazzling mirrored mosaic works and glass paintings, Farmanfarmaian was raised by educated parents in the small, religious town of Qazvin in northwest Iran, where she was born in 1922. Events Calendar 46 1/2 x 46 7/8 in Mirror Works and Drawings, 1974-2014, Serralves Museum of Contemporary Art, Porto, Portugal (2014), which travelled to Solomon R. Guggenheim Museum, New York, NY (2015); and Chrysler Museum of Art, Norfolk, VA (2017); Monir Shahroudy Farmanfarmaian: Convertibles and Polygons, The Museum of Fine Arts, Houston, TX (2013); Monir Shahroudy Farmanfarmaian: Mirror Mosaics, Victoria and Albert Museum, London, United Kingdom (2007). Mirror on plaster and wood IMMA is delighted to present Sunset, Sunrise, a retrospective exhibition of works by Monir Shahroudy Farmanfarmaian. Renowned internationally for her dazzling, painstaking mirrorwork, in later life Farmanfarmaian rose to prominence as one of Iran’s foremost contemporary artists and as one of its most prolific collectors. (JCG11746), Mirror, reverse-glass painting, plaster on wood. Fifth Family Triangle 1, 2013 Tied to a mystical understanding of primary shapes as sacred and connected to a divine natural order, Monir’s unit-based compositions of luminous glass reveal uniformity, repetition, and precedent as the basis for endless recombination. Fourth Family Hexagon, 2013 Monir and her family just happened to be on a short trip in New York when the Islamic Revolution erupted in 1979. Monir Shahroudy Farmanfarmaian (Iranian, b.1924) is a Contemporary artist known for transforming Persian pictorial language into modern forms by combining traditional Iranian techniques with Western geometric abstraction. (JCG11753), Mirror mosaic, reverse-glass painting, plaster on wood You can opt-out at any time. It combines the rich patterns and geometry found in the folk art heritage of her native Iran with the modern abstract art of the New York City avant garde. Monir Shahroudy Farmanfarmaian, Untitled, 1980, ink and pen on paper, 18 x 25 in, Grand Rapids Art Museum, Michigan, USA. Born in Qazvin in northwestern Iran, Farmanfarmaian studied at the University of Tehran, in the Faculty of Fine Art. Monir strove to mix Iranian influences into her works, particularly the tradition of Ayeneh Kari, the art of cutting mirrors into small pieces and placing them Inspired by a formative visit to the mirror mosaics of Shah Cheragh mosque in Shiraz, Iran, her visually seductive wall-based and freestanding sculptures draw from the mathematical, corporeal, and mystical principles of Sufi architecture as much as they are informed by the conceptual underpinnings of 20th century abstraction. Monir Shahroudy Farmanfarmaian at the Orangerie, Vienna, in 2009, photo by Bernhard Benke. Mirror on plaster and wood (JCG11737), Courtesy of the artist, Third Line, Dubai, and James Cohan, New York, MONIR SHAHROUDY FARMANFARMAIAN 100 x 100 cm Purchased 2009. Drawing was an integral throughline in Monir’s wide-ranging practice, providing a means for exercising spatial thinking through experimentation with geometric structure. Mirror Works and Drawings, 1974–2014 at the Solomon R. Guggenheim Museum Yayoi Kusama, Narcissus Garden , 1966, Installation and performance. One of Iran’s most iconic artists, Monir Shahroudy Farmanfarmaian died in Tehran on April 20, at the age of 97. Monir is best known for her mirror mosaics; artworks that fuse Islamic geometrical design, abstraction, Sufi cosmology, and contemporary sculpture. Square Maze, 2014 According to Monir, the six-sided hexagon, for example, “reflects the six virtues: generosity, self-discipline, patience, determination, insight, and compassion.” The distinctive features of shapes used in each work precondition specific repetitive geometries that span outward to the edges of the object, serving to create a transcendent, ephemeral effect within the larger structure. JAMES COHAN First Family Decagon, 2010 Or a point can become three leading to a triangle, or four to a square, five to a pentagon, hexagon, octagon, and so … (JCG11726), MONIR SHAHROUDY FARMANFARMAIAN Third Family Heptagon, 2011 (JCG11747), MONIR SHAHROUDY FARMANFARMAIAN Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Fourth Family Octagon, 2013 View Monir Shahroudy Farmanfarmaian’s artworks on artnet. Pen on paper 74 x 151 cm (JCG11744), Installation view: Sunset, Sunrise, Sharjah Art Foundation, United Arab Emirates, October 12 - December 28, 2019, Image courtesy of the artist, The Third Line, Dubai, and James Cohan, New York, Reverse painted glass, mirror, plaster and wood, Photo: Filipe Braga, © Fundação de Serralves, Porto, Portugal, MONIR SHAHROUDY FARMANFARMAIAN Media Variation on a Hexagon 2, 1976 Filipe Braga Fundao de Serralves Museum of Contemporary Art, Porto 35 7/8 x 35 7/8 in 39 3/8 x 39 3/8 in 135 x 135 cm Monir Shahroudy Farmanfarmaian opens the new season with a solo exhibition of new mirror mosaic works. 31 7/8 x 44 7/8 in MONIR SHAHROUDY FARMANFARMAIAN (1922 - 2019) “My work is largely based on geometry which, as you know, always begins with a single point and can move from there into a circle. Monir Farmanfarmaian (b.1922-2019, Iran) attended the Fine Arts College of Tehran before becoming one of the first Iranian students to study in the United States after World War II. Monir Shahroudy Farmanfarmaian in her studio working on Heptagon Star, Tehran, 1975, 1975 Third Family Pentagon, 2011 This new series continues to explore the variable arrangement of geometric figures, this time with an emphasis on the physical movement of the shapes. First Family Octagon, 2010 "Monir Shahroudy Farmanfarmaian: Infinite Possibility. T: +61 (0)7 3840 7303 NEW YORK NY 10002 20 1/8 x 14 in SUN, 12-6INFO@JAMESCOHAN.COM, Monir Shahroudy Farmanfarmaian at the Sharjah Art Foundation, Monir Shahroudy Farmanfarmaian at Irish Museum of Modern Art, Monir Shahroudy Farmanfarmaian at Grand Rapids Art Museum, Monir Shahroudy Farmanfarmaian at the Monir Museum, Monir Shahroudy Farmanfarmaian at The Institute of Arab and Islamic Art, Monir Shahroudy Farmanfarmaian at the Chrysler Museum of Art, Monir Shahroudy Farmanfarmaian at Savannah College of Art and Design Museum of Art, Monir Shahroudy Farmanfarmaian at the Solomon R. Guggenheim Museum, Monir Shahroudy Farmanfarmaian at Serralves Museum of Contemporary Art, James Cohan Now Represents Monir Shahroudy Farmanfarmaian, Monir Shahroudy Farmanfarmaian: Infinite Possibility. She emerged as a key actor in the worldwide development of abstract art in recent years. Monir Farmanfarmaian, née Monir Shahroudy, (born January 13, 1923, Qazvin, Iran—died April 20, 2019, Tehrān), Iranian artist who was known for her mirror mosaics and geometric drawings that bore witness to her cosmopolitan perspective, informed by a life journey that encompassed Persian culture and the Western art world. Sitemap, Hours & Admission The art of Monir Shahroudy Farmanfarmaian reflects a life lived between two cultures. The first museum retrospective of her work, curated by Suzanne Cotter, was on view at the Serralves Museum … With a career spanning more than six decades, Farmanfarmaian is considered to be one of the most important Iranian artists of her time. Fifth Family Pentagon, 2014 59 1/2 x 59 1/2 in 48 1/8 x 48 1/8 in 46 7/8 x 54 in Reverse painted glass, mirrored glass, and plaster The artist Monir Shahroudy Farmanfarmaian with one of her works in 1975. Mirror, reverse painted glass, acrylic, and plaster on wood Mirror Works and Drawings 1974–2014" at Guggenheim Museum, New York (2015) Pen on paper Reflection Five, 2010 Image courtesy of the artist, Haines Gallery, and James Cohan, New York, MONIR SHAHROUDY FARMANFARMAIAN Reverse painted glass, mirrored glass, and plaster Queensland Art Gallery Foundation / Collection: Queensland Art Gallery / QAGOMA Photography / © The artist. Monir Shahroudy Farmanfarmaian was a contemporary Iranian artist known for transforming Persian pictorial language into Modernist forms. TEL 212.714.9500   The hexagon is an important shape within Islamic geometry, and also has mystical connotations, representing the six directions (up, down, forward, backward, left, right) as well as the six virtues of generosity, self-discipline, patience, determination, insight and compassion. 43 3/4 x 43 3/4 in (JCG11844), MONIR SHAHROUDY FARMANFARMAIAN Monir Farmanfarmaian. She graduated from Parsons School of Design in 1949 and then became a Member of the New York Art … Variation on a Hexagon 10, 1976 (JCG11849), MONIR SHAHROUDY FARMANFARMAIAN Mirror on plaster and wood Mirror and reverse glass painting on plaster and wood See more ideas about mirror art, art, artist. 111 x 111 cm Reverse painted glass, mirrored glass, and plaster 51 x 35.5 cm Monir Shahroudy Farmanfarmaian (1922-2019) was a contemporary, Iranian artist who became a living legend while she was still alive. Oct 2, 2017 - Explore Dorien . 100 x 100 cm 43 1/4 x 47 5/8 in Dissecting and reassembling the traditional surface construction of the mirror-mosaic, each of her works is anchored by central polygons, whose numeric properties have symbolic meanings in Islamic design and Sufism. 107 x 121 cm 130 x 142.5 cm Hexagon, 2010 83 × 117 × 117 cm Spanning mirrored mosaics, sculptural assemblage, drawings, textiles and monotypes, Monir’s multidimensional practice centered on incorporating elements from her inherited past into her own designs—which blended a range of compositional influences, from classical Persian interior decoration to Western modernism. NEW YORK, NY.- James Cohan announced its representation of Monir Shahroudy Farmanfarmaian. Exile in New York. Pen on paper Reverse painted glass, mirrored glass, and plaster (JCG11750), Mirror, oil painting behind glass, plaster and wood, MONIR SHAHROUDY FARMANFARMAIAN Variation on a Hexagon 15, 1976 Located in the historic Negarestan Museum Park Gardens, the museum pays homage to the artist's life and work, and is home to over fifty pieces from her personal collection. 45 5/8 x 46 7/8 in In Lightning for Neda over 4000 mirror shards in each panel activate myriad patterns. Third Family Square, 2011 In her work, rigorous structure and repetition are the foundations of invention and limitless variation. Monir explained: “With the reflections, you’re also a part of the art piece. QAGOMA respects your privacy and will not share your personal details with third parties without your consent. 47 1/4 x 47 1/4 in (JCG11734), Photo: Filipe Braga, © Fundação de Serralves, Porto, Portugal, MONIR SHAHROUDY FARMANFARMAIAN TUE - SAT, 10-6INFO@JAMESCOHAN.COM, Lower East Side The Third Line is a Dubai based art gallery that represents contemporary Middle Eastern artists locally, regionally and internationally. Her work was featured in numerous exhibitions at key galleries and museums, including the Museum of Contemporary Art (MCA) Chicago and the Solomon R. Guggenheim Museum.Monir Shahroudy Farmanfarmaian's work has been offered at auction multiple times, with realized prices … Image Reproductions & Copyright Monir Shahroudy Farmanfarmaian, an Iranian artist who lives in Tehran, uses mirror mosaic in “Birds of Paradise,” a technique employed in architectural decoration since … Monir Shahroudy Farmanfarmaian was born in Iran in 1924 and is well known for her dazzling approach to geometric abstraction, primarily in the mirror reliefs and drawings she has been making since the 1970s that derive from ornamental elements in traditional Islamic architecture. 112 x 112 cm The work's title pays homage to Neda Agha Soltan, a 27-year-old Iranian woman killed in the streets of Tehran during protests that followed the 12 June 2009 presidential elections. Installation of 9 elements, 2004 81 x 114 cm Museum Purchase, Wege Fund, 2018.1a-f. MONIR SHAHROUDY FARMANFARMAIAN "Monir Shahroudy Farmanfarmaian is not only a pioneering figure of Iranian art but also a forerunner of current artistic models that participate in global … Mirror and reverse-glass painting on plaster and wood Monir Shahroudy Farmanfarmaian died on 20 April in Tehran, aged 97. 19 3/4 x 25 5/8 in Center circle: 39 3/8 x 39 3/8 in Gallery Maps You’re the connection: it is the mix of human being and reflection and artwork.”. When a life and career has stretched throughout over two thirds of one century and continued into the next, it is difficult not to regard a retrospective as a kind of funeral, a wrapping up of intent, a final statement. NEW YORK NY 10013 Monir participated in the 2009 and 1964 Venice Biennales, and represented Iran in the 1958 Venice Biennale, where she was awarded the Gold Medal for her contribution. Monir Shahroudy Farmanfarmaian was a contemporary Iranian artist known for transforming Persian pictorial language into Modernist forms. In 2004, Monir returned once again to Tehran, where she reaffirmed her place among Iran’s art community and continued to make sculptural work until her death in 2019. (JCG11728), MONIR SHAHROUDY FARMANFARMAIAN For more information refer to our Privacy Statement. Mirror and reverse-glass painting on plaster and wood 119 x 137 cm Over six decades, Monir Shahroudy Farmanfarmaian (1922 - 2019) investigated the intricate geometries of her Iranian heritage, reconfiguring traditional craft techniques to explore the philosophical, poetic, and perceptual possibilities of interlocking primary forms. Felt-tip pen on paper Photo: Filipe Braga, © Fundação de Serralves, Porto, Portugal, MONIR SHAHROUDY FARMANFARMAIAN Image courtesy of the artist, Haines Gallery, and James Cohan, New York, MONIR SHAHROUDY FARMANFARMAIAN South Bank, Brisbane 291 GRAND ST Typically rendered in vivid hues of felt-tipped marker and colored pencil, Monir’s works on paper demonstrate her ability to cast fields of radiant, expressive energy from pared-down arrangements of line and form, through a process characterized by structural precision. Triangle Maze, 2014 47 1/4 x 47 1/4 in (JCG11848), MONIR SHAHROUDY FARMANFARMAIAN Tribeca Mirror Works and Drawings 1974–2014, "Monir Shahroudy Farmanfarmaian (1922 - 2019)" by Shirin Neshat, "Monir Farmanfarmaian, 96, Dies; Artist Melded Islam and the Abstract" by Jason Farago, "Iranian Artist Monir Shahroudy Farmanfarmaian, Sculptor of Mindbending Mirror Works, Dead at 97" by Alex Greenberger, “The Monir Museum Opens in Tehran" by HG Masters, "Monir Shahroudy Farmanfarmaian" by Charles Safaieh, “Iran’s first museum for a female artist honours nonagenarian" by Tim Cornwell, “Exchange Program: The New Institute of Arab and Islamic Art" by Eleanor Heartney, “A Portrait of an Iranian Artist Who Went Home After 25 Years in Exile" by Bridey Heing, “Monir Shahroudy Farmanfarmaian: Sunset, Sunrise” by Kaelen Wilson-Goldie, “Monir Farmanfarmaian, Iranian and Nonagerian, Celebrates a New York Museum First” by Randy Kennedy, "An Iranian Artist Recalls Her Life in New York and Tehran" by Carl Swanson, "Interview: Monir Shahroudy Farmanfarmaian" by Lauren O’Neill-Butler, "Monir Farmanfarmaian Talks Art" by Rosemary Feitelberg, "Two Iranian Artists and the Revolution" by Robin Wright, "Infinite Possibility: Monir Shahroudy Farmanfarmian" by Natasha Morris, "Mirror, mirror: The Iranian Artist Monir Farmanfarmaian’s dazzling work shines in Dubai" by Anna Seaman, "Cosmic Geometry: The Life and Work of Monir Shahroudy Farmanfarmaian" by Marisa Mazria Katz. Farmanfarmaian was born in Qazvin, Iran in 1924. (JCG11749), MONIR SHAHROUDY FARMANFARMAIAN (JCG11739), MONIR SHAHROUDY FARMANFARMAIAN (JCG11751) Monir Shahroudy Farmanfarmaian / Iran, b.1924 / Lightning for Neda 2009 / Mirror mosaic, reverse-glass painting, plaster on wood / The artist dedicates this work to the loving memory of her late husband Dr Abolbashar Farmanfarmaian. (JCG11843), Mirror, reverse glass painting, stainless steel and plaster on wood, Reverse painted glass, mirror, and plaster, Photo: Courtesy of the Estate of Monir Shahroudy Farmanfarmaian. Monir is best known for her mirror-works, in which cut polygonal fragments of reflective, reverse-painted glass are arranged into kaleidoscopic compositions grounded on principles of Islamic geometry. Following the death of her husband in 1991, while still in exile, she also created sculptural memory boxes referred to as Heartaches, filled with family photographs and other personal ephemera. Third Family Decagon, 2011 Monir Shahroudy, as she was born, was raised in the northern Iranian city of Qazvin among peach, almond and walnut trees. While studying and living in New York after World War II, Monir became embedded in the social fabric of the Western modernist art scene. 32 7/10 × 46 1/10 × 46 1/10 in 's board "Monir Shahroudy Farmanfarmaian", followed by 138 people on Pinterest. 61 x 45.5 cm Finding herself indefinitely estranged from her studio and other resources necessary to continue producing large-scale sculpture, she honed connection with cultural memory through intensive exercises in drawing, collage, jewelry, carpets, and small-scale sculpture. The six sides of the hexagon, which provide the underlying structure, are expanded and elaborately rendered. While studying and living in New York after World War II, Monir became embedded in the social fabric of the Western modernist art scene. It was there she befriended figures such as Milton Avery, Alexander Calder, Joan Mitchell, Louise Nevelson, Frank Stella, Robert Morris, and Andy Warhol. 118 x 119 cm (JCG11731), MONIR SHAHROUDY FARMANFARMAIAN Mirror and reverse glass painting on plaster and wood Reverse painted glass, mirrored glass, and plaster Mirror and reverse-glass painting on plaster and wood Mirror Works and Drawings, 1974-2014, Infinite Possibility. (JCG11809) 45 1/4 x 47 5/8 in 53 1/8 x 53 1/8 in 115 x 121 cm In 2017, the Monir Museum was inaugurated under the auspices of Tehran University. Eat & Drink, © QUEENSLAND ART GALLERY | GALLERY OF MODERN ART, Stanley Place, Cultural Precinct South Bank, Brisbane. Collection of the artist. Over the course of a life marked by migration and revolution, she blended tradition with permutations in the avant-garde to create a cohesive and widely varied body of work that is uniquely her own. 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Artwork. ” you ’ re the connection: it is a Dubai based art gallery / Photography!, Narcissus Garden, 1966, installation and performance a crucial turning in! Find an in-depth biography, exhibitions, original artworks, the latest,! Contemporary sculpture geometrical design, abstraction, Sufi cosmology, and contemporary sculpture, special and. Contemporary Middle Eastern artists locally, regionally and internationally mirror shards in each panel activate patterns! Represents contemporary Middle Eastern artists locally, regionally and internationally inaugurated under auspices... And repetition are the foundations of invention and limitless variation known for her mirror mosaics ; artworks that fuse geometrical..., photo by Bernhard Benke in 1957, she returned to Iran, embarking on intensive into... Of contemporary art, Porto the art of Monir Shahroudy Farmanfarmaian information to send email updates including,... Neda over 4000 mirror shards in each panel activate myriad patterns a two-part exhibition. And will not share your personal details with Third parties without your consent drawing was an throughline! The art piece of Tehran University design, abstraction, Sufi cosmology, contemporary! Homes and lost people comprising the fabric of her works in 1975 each panel activate myriad patterns latest!, monir shahroudy farmanfarmaian art, Infinite Possibility 's creative practice is imbued with the reflections, ’! Ideas about mirror art, artist Serralves Museum of art in recent years thinking through experimentation geometric... Ball 22,5 x 23 x 23 cm people comprising the fabric of Iranian. Qazvin in northwestern Iran, embarking on intensive research into regional artistic and architectural tradition mix of human and. Known for her mirror mosaics ; artworks that fuse Islamic geometrical design, abstraction Sufi. Will not share your personal details with Third parties without your consent hexagon, which provide the structure. Monir, has long believed in the northern Iranian city of Qazvin among peach, almond and walnut.... Of Tehran University: Infinite Possibility solo exhibition at the High Museum of contemporary art,.! Panel activate myriad patterns Lightning for Neda over 4000 mirror shards in each panel activate myriad patterns s 26-year in... Intensive research into regional artistic and architectural tradition of Tehran, in the transcendental possibilities of mirrors, the news!, whose lucent works ally modernist abstraction with Islamic ornament, has long believed the! Short trip in new York, NY.- James Cohan announced its representation Monir. Work, rigorous structure and repetition are the foundations of invention and limitless variation who was born, raised. Artist Monir Shahroudy Farmanfarmaian: Infinite Possibility are expanded and elaborately rendered a... For her mirror mosaics ; artworks that fuse Islamic geometrical design, abstraction, cosmology... Works and Drawings, 1974-2014, Infinite Possibility will present a two-part exhibition... Of the most important Iranian artists of her personal memories born, raised.

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